Robin Monotti Graziadei is a London based architect, lecturer and film producer who was born in Rome, where he began his career by working with Professor Vittorio De Feo on projects which included the new Italian Embassy in Berlin. Work that Robin completed for De Feo is now held in the collection of the MAXXI, some of it having already been restored. Robin obtained a distinction in the MA in Histories and Theories of Architecture from the Architectural Association in London where he studied the relationship of space to psychoanalysis with Mark Cousins, space and politics with Paul Hirst, and space and culture with Robert Maxwell, former Dean at Princeton. He worked in Milan with Gino Valle and Ennio Brion, client of Carlo Scarpa’s Brion cemetery, on the Nuovo Portello urban regeneration plan.
Robin taught a postgraduate Diploma Unit with Rik Nys from David Chipperfield Architects at London Metropolitan University between 2001-2007, and within this period also taught a Degree Unit at Greenwich University with Thomas Goodey and Ioana Marinescu. From 2016 to 2019 he acted as external examiner to the new Moscow School of Architecture (MARCH), on behalf of London Metropolitan University.
In 2006 thanks to a grant from the London Consortium doctoral program in Cultural Studies Robin wrote an introduction to and published the first and only English translation of Curzio Malaparte’s book Woman Like Me (Donna Come Me) (Troubador Italian Studies). Robin undertook this translation because he believes that to truly understand Casa Malaparte in Capri you have to read Malaparte, and especially this book as it was written as the house was being built.
From 2007 Robin also runs his architectural office Robin Monotti Architects. RMA won first prize in the International Drinking Fountain Design Competition 2010 held by the Royal Parks Foundation and the RIBA, and First Prize in the Interior of the Year Award in Ukraine 2013. RMA also won a 5 Star European Property Award 2013-14.
In 2016 Robin opened a film production company called Luminous Arts Productions and produced a feature film on the doctor-patient relationship in the history of medicine called The Book of Vision, executively produced by Terrence Malick directed by Carlo Hintermann, starring Charles Dance, Lotte Verbeek and Sverrir Gudnason.